@prefix n9j: <http://data.loterre.fr/ark:/67375/N9J> .
@prefix skos: <http://www.w3.org/2004/02/skos/core#> .
@prefix owl: <http://www.w3.org/2002/07/owl#> .
@prefix isothes: <http://purl.org/iso25964/skos-thes#> .

n9j:-M53GWFJR-3
  skos:prefLabel "fraud"@en ;
  a skos:Concept ;
  skos:narrower n9j:-H1P4F5N0-1 .

n9j: a skos:ConceptScheme .
n9j:-Q26CM9F1-6
  skos:prefLabel "criminology and justice"@en ;
  a skos:Concept ;
  skos:narrower n9j:-H1P4F5N0-1 .

n9j:-VQ225MQ1-T
  skos:prefLabel "scams and swindles"@en ;
  a skos:Concept ;
  skos:narrower n9j:-H1P4F5N0-1 .

n9j:-Z70FNGX3-M
  skos:prefLabel "crimes and criminal markets"@en ;
  a skos:Concept ;
  skos:narrower n9j:-H1P4F5N0-1 .

n9j:-H1P4F5N0-1
  owl:sameAs <https://concepts.sagepub.com/social-science/concept/art_and_antiquities_fraud> ;
  skos:definition "In 2000, international in the auction houses alone reached almost $3 billion, and prices realized for works by individual artists included a work by Picasso, which sold for $55 million; a Matisse, for $17 million; a Cezanne, for $8.5 million; and a Renoir, for $7 million. Where such wealth abounds, crime is sure to follow. [Source: Encyclopedia of Crime and Punishment; Art Theft and Fraud]"@en ;
  a skos:Concept ;
  skos:inScheme n9j: ;
  skos:broader n9j:-VQ225MQ1-T, n9j:-M53GWFJR-3, n9j:-Q26CM9F1-6, n9j:-Z70FNGX3-M ;
  skos:prefLabel "art and antiquities fraud"@en .

n9j:-concepts
  a isothes:ConceptGroup ;
  skos:prefLabel "concepts"@en ;
  skos:member n9j:-H1P4F5N0-1 .