@prefix htr: <http://data.loterre.fr/ark:/67375/HTR> .
@prefix skos: <http://www.w3.org/2004/02/skos/core#> .

htr: a skos:ConceptScheme .
htr:-MMZXF08B-7
  skos:note "Specific medium: fresco"@en, "Generic medium: painting; 1645"@en, "Generic artist: Caravaggio, Michelangelo Merisa da, 1571-1610"@en, "Generic artist: Pozzo, Dario, attrib."@en, "Generic artist: Pacher, Michael, workshop"@en, "Generic artist: Bausa, Gregorio, 1590-1656"@en, "Generic medium: painting, ca.1465"@en, "Specific date: ca.1316-1320"@en, "Specific artist: Lorenzetti, Pietro, before 1306-ca.1348"@en, "Generic medium: painting; ca.1622"@en, "Specific location: Assisi (ITA), S. Francesco, lower church"@en, "Generic medium: painting, 1602"@en, "Generic location: Dublin (IRL), National Gallery of Ireland"@en, "Generic location: private collection"@en, "Generic location: Castellon de la Plana (ESP), Museo Provincial de Bellas Artes"@en ;
  skos:prefLabel "Arrest of Christ"@en, "Arrestation du Christ"@fr ;
  skos:notation "259871", "260654" ;
  skos:altLabel "Kiss of Judas (Arrest of Christ)"@en, "CAPTURE OF CHRIST"@en, "CHRIST ARRESTED IN THE GARDEN"@en, "Betrayal of Christ (Arrest of Christ)"@en, "CHRIST'S ARREST"@en, "TAKING OF CHRIST"@en, "L'ARRESTATION DU CHRIST"@fr, "Baiser de Judas (Arrestation du Christ)"@fr ;
  a skos:Concept ;
  skos:inScheme htr: ;
  skos:scopeNote "Caravaggio [Dublin] sometimes previously attr. to Gerrit van Honthorst; anonymous copies in Odessa, Florence, etc. The kiss of Judas is absent in the Gospel of John; instead, Christ identifies himself, and then Judas & the soldiers fall down. Lorenzetti's fresco (Assisi, S. Francesco, lower church) has Judas identifying Christ to soldiers by placing his hands on Christ (but no kiss). Pacher follows Gospel of John exactly (no kiss; Judas & soldiers falling backward). Caravaggio & Bausa include the kiss of Judas. Dario Pozzo's pt. has a soldier, Christ's hands are tied, & 2 apostles whose actions (& identities) are unclear. 2004: Caravaggio update: controversy erupts over whether Dublin painting is replica/non Caravggio copy of 'original' newly identified and authenticated, (art dealer, Rome)Art expert Dennis Mahon takes middle view: Rome work is the original; Caravaggio pricked design for transfer and created modified Dublin painting as well."@en .